SEEDSpace
Christian Faubel
Germany
 
Public Space:
Why not play in privacy? because in privacy so much is foreseeable and thus boring. public space offers possibility of complex interactions and thus surprises. it s just more fun. any device/creation you leave in public space will undergo changes and might trigger changes. These changes can occur at many diferent levels from shape to meaning or from accicdents to pleasure. The dynamics of such process is what i am interested in.



Caroline McCaw
New Zealand
 
Public Space:
"is public a qualifying description of place, ownership or access?" questions Lacy. I propose public as a connecting term (able to connect theories of art to a broader population) and also a part of our own persona, a way that we see ourselves. Habermas suggests \"public\" is a network for communicating information and points of view. I am interested in the relationship bewteen public and networked spaces, and the relevance of locality and how it effects this relationship.



Cordula
Germany
 

Public Space:
watching and being watched, hearing and beeng heard, smelling and being smelled
we interact.




Geert Verstraete
Belgium
 
Public Space:
a \'spot\' where individuals (can) meet and, influenced by or anticipating the 3D-environment, interact with(in) eachother...

 
Look/Kijk
[project page]

Rafael Camilo Paez Perez
Belgium
 
Public Space:
from land(city)scapes to small street devices and virtual or ephemeral spaces as they get citizen investment



Karen Wong
Canada
 
Public Space:
Programs which may become generative designs for action, the street a context to activate scenarios and embodiment as resistance, transgression
_approaches that practice social activities of ëclusteringí, co-presence and augmented experiences with inherent considerations about mobility and collectivity in negociation with ambient political and social economies
_ideas of shaping and programming space and the relations that have arisen between space and information [receiving and decoding the environment can suggest precursary, independent initiatives supported by notions of appropriate technologies, datasquats and metaphors of encryption as means to counter pervasive and permitted repressive measures of [State] control, particularly in light of new imminent realities of situational politics [Benasayag] and contestatory movements that have come into being through digital culture.



Frank Servayge
Belgium
 
Public Space:
awareness of our surroundings as an extension of our inner landscapes that reflects and interacts with its inhabitants - all living creatures-- ///sounds big time?-
(must have been reading too much in ecstacity)


 
Hopstop

Marthe Van Dessel
Belgium
 
Public Space:
a place where you can not smoke at all.
- our so called common wealth when you step out doors - a world where rules are made by the one who walks next to you, your so called government, the voice or eye of the majority, ...
unfortunatley visual economic consumption - rules in public space .
- let\'s all go blind and escape . . .


Nancy Mauro-Flude
Austrailia
 
Public Space:
The public space is a collective physical and virtual place where imagination, dreams, hopes, times and spaces collide. Everyone has different points of access to this space and it gets more interesting when people subvert it in order to open out the world from conformist logics


Ann Langelet
Belgium
 
Public Space:
Its a place that more and more is comercialised. The real space, like in the time of the agora, for public is getting lost. And its one of the basic rights for human to be able to take in that space. I think we have to find other ways to, more temporary, to take in that space. There is alot of visual polution already in a city, So my question is how can we make mental statues?



Thomas Laureyssens
Belgium
 
Public Space:
There are many kinds of public spaces, but we can define two main categories: real and virtual public spaces. What they have in common is interaction. Their difference is mainly a question of sensorial imput, or interface.

 
Code Room
[project page]

Sonia Cillari
Netherlands
 
Public Space:
The inhabitant is now the participant. The new participative architecture utilizes people's interaction to create continuous mutations of the initial conditions.

Living systems are units of interactions; they exist in an ambience. They cannot be understood independently of that part of the ambience with which they interact.


Lieven Menschaert
Belgium
 
Public Space:
There are many kinds of public spaces, but we can define two main categories: real and virtual public spaces. What they have in common is interaction. Their difference is mainly a question of sensorial imput, or interface.


Johannes Taelman
Belgium
 
Public Space:
expectation, anticipation, confirmation, negation, relax

 
Facing and Sharing
[project page]

Tommi Autio
Finland
 
Public Space:
I am intrested to do sound work based on interaction or other ideas which come out.


Lieven Menschaert
Belgium
 
Public Space:
There are many kinds of public spaces, but we can define two main categories: real and virtual public spaces. What they have in common is interaction. Their difference is mainly a question of sensorial imput, or interface.


Johannes Taelman
Belgium
 
Public Space:
expectation, anticipation, confirmation, negation, relax


Samuli Hakkinen
Finland
   
Public Space:
The city soundscape is usually purposefully filled with commercials or elevator music, if anything. I\'d also like to see (or hear) the city as a place for interesting sound sculptures, relevantly related to the location of them, may them be interactive or not.